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Gothic motifs in the fiction of William Gibson

Author:Tatiani G. Rapatzikou

eBook, English, 2004

Edition:View all formats and editions

Publisher: Rodopi, Amsterdam, 2004

Series:

Postmodern studies, 36

Genre:Criticism, interpretation, etc

Physical Description:1 online resource (xxiv, 253 pages, 14 unnumbered pages of plates) : 15 figure

ISBN:

9789004333734, 9789042017610, 9004333738, 9042017619

DOI:10.1163/9789004333734.

OCLC Number / Unique Identifier:645922182

Subjects:

Criticism, interpretation, etc

Gibson, William (Schriftsteller, 1948- )

Gibson, William, 1948-

Gibson, William, 1948- Criticism and interpretation

Imagerie (Psychologie) dans la littérature

Imagery (Psychology) in literature

Additional Physical Form Entry:

Print version:

Gothic motifs in the fiction of William Gibson.

Rapatzikou, Tatiani G.

Contents:

AcknowledgementsAbbreviationsIntroductionChapter One1. Enter Cyberpunk: An Itinerary of Visual Manifestations Chapter Two2. The Emergence of Cyberpunk Science Fiction: Elaboration on the Idea of Genre Chapter Three3. The Idea of the Spectacular: Neuromancer, Mona Lisa Overdrive and Count ZeroChapter Four4. Zombies in the Age of Terminal Culture: Neuromancer, Mona Lisa Overdrive, Count Zero and the Graphic Novels Chapter Five5. Alternate Histories and Technological Aestheticisation: William Gibson and Bruce Sterling’s The Difference Engine Chapter Six6. William Gibson’s “Architecture”: Virtual Light, idoru and All Tomorrow’s PartiesConclusionAppendix: Interview with William GibsonBibliography Index

Reproduction Notes:

Electronic reproduction, [Place of publication not identified], HathiTrust Digital Library, 2010

More Information:

HathiTrust Digital Library, Limited view (search only)