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" never drew a more ludicrous distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wantin'g beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty... "
The International Monthly Magazine of Literature, Science, and Art - Pagina 154
1851
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The Friend: A Series of Essays

Samuel Taylor Coleridge - 1812 - 448 pagine
...wanting beside it one of those beautiful female faces which the Same Hogarth, in whom the >.atyrist never extinguished that love of beauty which belonged to him as a Poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which...
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The Analectic Magazine, Volume 5

1815
...effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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The Scots Magazine and Edinburgh Literary Miscellany, Volume 76

1814
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, 50 often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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The Analectic Magazine...: Comprising Original Reviews, Biography ..., Volume 5

1815
...effect occasioned: nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities, which figure...
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Biographia Literaria: Or, Biographical Sketches of My Literary ..., Volume 2

Samuel Taylor Coleridge - 1817 - 309 pagine
...wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satyrist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which...
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The Works of Charles Lamb: In Two Parts, Volume 2

Charles Lamb - 1818
...effect occasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which...
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The New Monthly Magazine and Literary Journal, Volume 18

1826
...was innate, in spite of certain critics calling him a vulgar artist. Coleridge says of him, that " the satirist never extinguished that love of beauty, which belonged to him as a poet." As a painter of morals Hogarth stands without a competitor. The French critics complain, that the English...
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The London encyclopaedia, or, Universal dictionary of ..., Parte 2,Volume 16

Thomas Curtis (of Grove house sch, Islington)
...was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom iho satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities : which...
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Anecdotes of William Hogarth: Written by Himself

William Hogarth - 1833 - 416 pagine
...effect ocasioned : nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the Satirist never extinguished that love of beauty which belonged to him as a Poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities ; which...
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Biographia Literaria: Or, Biographical Sketches of My Literary ..., Volumi 1-2

Samuel Taylor Coleridge - 1834 - 351 pagine
...effort occasioned ; nor was there wanting beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humourous deformities, which...
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